In which we take a brief look at 2015 horror flick, 13 Cameras.
We take a quick look at 2018 horror flick, Soul to Keep, in which a group of idiots summon a demon in an abandoned house.
In which we look at 2017 comedy-horror flick, Deadly Detention.
In which we look at 2017 Irish horror movie, The Lodgers.
In which we take a ridiculously brief look at 2018’s The Basement.
In which we look at 2018 cliche-turned-horror movie, Malicious.
In which we take a very brief look at recent Israeli horror flick, The Golem, from directors Doron Paz and Yoav Paz.
In which we look at 2018 horror film 14 Cameras, from directors Seth Fuller and Scott Hussion.
In which we look at 2018 cabin-in-the-woods horror flick, He’s Out There. From director Quinn Lasher.
In which we take a stupidly brief look at 2019 horror film, The Silence.
In which we look at 2018 sci-fi horror flick, Await Further Instructions, from director Johnny Kevorkian.
In which we look at 2017 horror cameo collection, Death House. Written and directed by B. Harrison Smith.
In which we fail to hold our tongue about 2016 horror-thriller, The Disappointments Room. From director DJ Caruso. Featuring Kate Beckinsale.
In which we take a quick look at 2016 horror mystery, The Autopsy of Jane Doe. From Troll Hunter director Adre Ovredal.
In which we look at 2017’s comedy-horror flick, The Babysitter, from director McG.
In which we look at 2017 horror flick, The Super. From director Stephan Rick. Featuring Val Kilmer.
In which we take a look at 2017’s The Ritual, from director David Bruckner.
In which a woman attempts to return a gift, only to discover an ancient evil slumbering beneath the local mall. Read this story as it unfolds on Twitter. It never occurred to Cassie that an ancient evil slumbered beneath the local mall. So, imagine her surprise when she found exactly that sometime last Tuesday. * […]
In which we look at 2018’s Sabrina, an Indonesian supernatural horror flick from director Rocky Soraya.
In which we look at 2018 thriller, Lifechanger, from director Justin McConnell. In which a lonely, murderous shapeshifter falls in love.